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You Can Call Me Al by Paul Simon - Guitar Chords

Artist Paul Simon How to play the guitar chord D.jpg How to play the guitar chord A.jpg How to play the guitar chord Em7.jpg

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Version 1 Version 2
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                  You Can Call Me Al - Paul Simon
---------------------------------------------------------------------------

Written by: Paul Simon
From: "Graceland" (1986)

Tabbed by: maguri
Tuning: Standard

I use a capo on the 3rd fret for playability. Without a capo one would have
to transpose this tab +3 steps to match the original key of F major. The tabs
below show how to play the chords with or without a capo in the original key.

I made a short demo recording so one can hear what this is supposed to
sound like:
-soundcloud-/maguri/paul-simon-you-can-call-me-al-demo

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transpose: -         +3
capo: 3rd fret       -
play: D              F
key: F               F

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CHORDS
       transpose: -        transpose: +3
       capo 3rd fret       capo: -

       E-A-D-G-B-e         E-A-D-G-B-e
Em7    0-2-0-0-0-0     Gm7 3-x-0-3-3-1

---------------------------------------------------------------------------

[Main Riff] 

(Intro / Chorus / Interlude / Outro) capo 3rd fret
      D   A     Em7    D   A     D      D   A     Em7    D   A     D
  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +
e|----------------|----------------|----------------|----------------|
B|----3---2--2--0-|----3---2--2-2h3|----3---2--2--0-|----3---2--2-2h3|
G|----2---2--2--0-|----2---2--2-2--|----2---2--2--0-|----2---2--2-2--|
D|----4---2--2--0-|----4---2--2-2h4|----4---2--2--0-|----4---2--2-2h4|
A|----------------|----------------|----------------|----------------|
E|----------------|----------------|----------------|----------------|
                               | h  Hammer-on

(Intro / Chorus / Interlude / Outro) no capo (transpose this chord sheet +3)
      F   C    Gm7     F   C     F      F   C    Gm7     F   C     F
  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +
e|----------------|----------------|----------------|----------------|
B|----6---5--5--3-|----6---5--5-5h6|----6---5--5--3-|----6---5--5-5h6|
G|----5---5--5--3-|----5---5--5-5--|----5---5--5--3-|----5---5--5-5--|
D|----7---5--5--3-|----7---5--5-5h7|----7---5--5--3-|----7---5--5-5h7|
A|----------------|----------------|----------------|----------------|
E|----------------|----------------|----------------|----------------|
                               | h  Hammer-on

[Verse] capo 3rd fret

There is a little lick or riff in the verse, which is played on an 
electric guitar. Using a capo, it is possible to integrate this 
lick into the accompaniment. Here’s a suggestion:

  D                Em7   Asus4  A   D                Em7   Asus4 A [ D ]
  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +
e|--2--0----------|--0-------------|--2--0----------|--0-------------|
B|--3--3--3---3---|--0--3--3---2---|--3--3--3---3---|--0--3--3-3-2-3-|
G|2-------2---2---|-----0--2---2---|2-------2---2---|-----0--2-2-2---|
D|0---------------|--------2-------|0---------------|--------2-------|
A|----------------|2-------0-------|----------------|2-------0-------|
E|----------------|0---------------|----------------|0---------------|


[Chorus] capo 3rd fret

If you want to include the riff into your guitar accompaniment, this
might be a good solution:
  D       A        Em7     A        D       A        Em7     A
  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +
e|----------------|----------------|----------------|----------------|
B|----3---2--2--0-|----0------2--3-|----3---2--2--0-|----3---2--2--3-|
G|2---2---2--2--0-|----0------2--2-|2---2---2--2--0-|----0---2--2--2-|
D|0-------2-------|----0------2----|0-------2--2--0-|----0---2--2----|
A|--------0-------|2-------0-------|--------0-------|2-------0-------|
E|----------------|0-0-------------|----------------|0---------------|

[Chorus] no capo

  F       C        Gm7     C        F       C        Gm7     C
  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +
e|----1---0--0----|----1---0--0--1-|----1---0--1----|----1---0--0--1-|
B|----1---1--1--3-|----3---1--1--1-|----1---1--1--3-|----3---1--1--2-|
G|----2---0--0--3-|----3---0--0--2-|----2---0--0--3-|----3---0--0--2-|
D|----3---2-------|----0---2-------|----3---2-------|----0---2-------|
A|3-------3-------|--------3-------|3-------3-------|--------3-------|
E|1-1-------------|3-3-------------|1-1-------------|3-3-------------|1

---------------------------------------------------------------------------

[Intro]

(guitar and synth)
|     D   A     Em7 |    D   A     D   | 

(full band)
| D  A |  Em7 A  | 
| D  A |  Em7 A  | 
| D  A |  Em7 A  | 


[Verse]

D 
 A man walks down the street
       Em7        Asus4       A
He says, Why am I soft in the middle now?
D 
 Why am I soft in the middle?
        Em7         Asus4   A
When the rest of my life is so hard!
D 
 I need a photo-opportunity
Em7       Asus4     A
 I want a shot at redemption
D 
Don't want to end up a cartoon
    Em7      Asus4 A
In a cartoon graveyard


[Bridge]

D 
Bonedigger, Bonedigger,
Em7          A
 Dogs in the moonlight
D                 Em7          A
 Far away from my well-lit door
    D 
Mr. Beerbelly, Beerbelly
Em7              A
Get these mutts away from me!
           D                       Em7       A
You know, I don't find this stuff amusing anymore


[Chorus]

D               A
If you'll be my bodyguard
Em7           A         |   D  A |  Em7 A  |
I can be your long lost pal
D              A
I can call you Betty
    Em7              A 
And Betty, when you call me
       |   D  A |  Em7 A  |
You can call me Al


[Verse]

D 
 A man walks down the street
       Em7        Asus4      A
He says, Why am I short of attention?
     D 
Got a short little span of attention
   Em7       Asus4      A
And whoa, my nights are so long!
D 
 Where's my wife and family?
Em7        Asus4 A
 What if I die   here?
D 
 Who'll be my role-model?
Em7          Asus4  A
 Now that my role - model is


[Bridge]

D 
Gone, gone
   Em7                  A
He ducked back down the alley
         D                  Em7           A
With some roly-poly, little bat-faced girl
     D 
All along, along
           Em7           A
There were incidents and accidents
          D                      | Em7 A |
There were hints and allegations


[Chorus]

D               A
If you'll be my bodyguard
Em7           A         |   D  A |  Em7 A  |
I can be your long lost pal
D              A
I can call you Betty
    Em7              A 
And Betty, when you call me
       |   D  A |  Em7 A  |
You can call me Al ...                 Call me Al ...


[Solo] (pennywhistle) = verse + bridge

| D | Em7  Asus4 A | D | Em7  Asus4 A |
| D | Em7  Asus4 A | D | Em7  Asus4 A |

| D | Em7 A | D | Em7 A |
| D | Em7 A | D | Em7 A |


[Interlude] 

(guitar and synth)
|     D   A     Em7 |    D   A     D   | 

(full band)
| D  A | Em7 A  | 
| D  A | Em7 A  | 
| D  A | Em7 A  | 


[Verse]

D 
 A man walks down the street
     
      Em7          Asus4   A
It's a street in a strange world
D 
 Maybe it's the Third World
Em7             Asus4      A
 Maybe it's his first time around
D 
 He doesn't speak the language
  Em7       Asus4 A
He holds no currency
  D 
He is a foreign man
Em7       Asus4   A
 He is surrounded by the 


[Bridge]

D 
Sound, the sound 
Em7            A
 Cattle in the marketplace
D                            | Em7 A |
 Scatterlings and orphanages
          D 
He looks around, around
        Em7           A
He sees angels in the architecture
D
 Spinning into infinity
         Em7       A
He says, Amen! and Hallelujah!


[Chorus]

D               A
If you'll be my bodyguard
Em7           A         |   D  A |  Em7 A  |
I can be your long lost pal
D              A
I can call you Betty
    Em7              A 
And Betty, when you call me
       |   D  A |  Em7 A  |
You can call me Al ...                 Call me...


[Verse] (scat vocals)

D               Em7      Asus4 A
 Na, na, na, na, na, na, na    na...
D               Em7      Asus4 A
 Na, na, na, na, na, na, na na na na ...
D               Em7      Asus4 A
 Na, na, na, na, na, na, na    na...
D               Em7      Asus4 A
 Na, na, na, na, na, na, na na na na ...


[Bridge]

D           | Em7 A |
Mmmh, mmmh
D           | Em7 A |
 Mh, mh
D           | Em7 A |
Mmmh, mmmh
D           | Em7 A |
 Mh, mh


[Break]

(bass solo)
| N.C. | % |


[Chorus] (instrumental)

| D  A |  Em7 A  | 
| D  A |  Em7 A  | 
| D  A |  Em7 A  | 
| D  A |  Em7 A  | 


[Outro] (chorus)

D               A              | Em7  A |
If you'll be my bodyguard ...

| D  A |  Em7 A  | 

D              A        | Em7  A |
I can call you Betty ...

| D  A |  Em7 A  | 

D               A              | Em7  A |
If you'll be my bodyguard ...

| D  A |  Em7 A  | 

D              A        | Em7  A |
I can call you Betty ...

| D  A |  Em7 A  | 

(repeat and fade) 
        

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